Andrei Razin - piano, percussion,
voice
Tatiana Komova - voice, percussion
Igor Ivanushkin - bass, percussion
The Second Approach project's origin is Russian culture, if we mean
Feodor Dostoevsky, Sergei Prokofiev, Mark Shagal and Slavic songs.
Their style of improvised music was definitely and unmistakably born
in Russia.
What
the band performs seems to be beyond standard definitions and provokes
controversy, interest and sympathy. The leader of the trio is
experienced composer, master of piano improvisation, Andrei Razin.
Unique singer, member of well-known Gypsy band Romen, Tatiana Komova,
and one of the key acoustic bass players in Russia, Igor Ivanushkin,
complete the band. The musical arsenal of the Second Approach combines
the elements of ethno music, modern creative jazz and contemporary
classical music.
The ideas of the Second Approach lie in the area of pan-European
spirit of the 21st century, enriched by Russian traditions. This is
why the idea of work with this trio attracted so many high class
musicians, from the French horn great Arkady Shilkloper and sax man
Oleg Kireyev to his fellow saxophonists Mike Ellis, of New York, and
Yuri Yaremchuk, of West Ukraine.
In 1999, only one year after the band was created, it was nominated
for Russian Jazz Journalists Association Awards in three categories.
In March 2001, their CD "Ex Tempore" has been released both in Germany
and Russia, while the trio performed in Stuttgart, Germany, at
filmmaker Andrei Tarkovsky's retrospective with "In Memoriam Andrei"
program. That same year the trio played at Kassel Jazz Festival
(Germany) and at Jazz of Four Cultures Festival in Lodz, Poland. The
Second Approach Projects also takes part in the annual Jazz Province
moving festival that tours several major Russian cities. Their music
finds its way to the airwaves on Russian radio stations and TV.
In
autumn 2002, the Second Approach toured several festivals in Ukraine,
Moldova and Northern Russia. Their new CD "Jazz, Please!" contains
music that was recorded live during their performances at
International Jazz Music Days in Vinnytsia, Ukraine, at Ethno Jazz
Trio Festival in Chisinau, Moldavia, and at the Jazz Days in
Arkhangelsk, Russia. The feeling of the vividly intense
improvisational, aspired interaction with the audience is the most
valuable result of that work. Moscow Jazz Journalists’ Association
rewarded Andrei Razin diploma "The best jazz composer of the year".
In October 2004, the trio has celebrated its fifth anniversary with a
concert program entitled "The European Jazz - 21st century " at the
Moscow International House of Music. The title of this concert looked
symbolical and has formed a basis for the concert series at the House
of Music. At that evening, the trio performed Andrei Razin's suite
which was later released on CD as "Event Space" (Dialog Music, 2004.)
In 2004, Andrei Razin’s Second Approach trio also performed at the
Christopher Summer Festival 2004 in Vilnius, Lithuania. In December
2004, Second Approach performed in Finland (City Theater, Joensuu, and
Kaamos Jazz Festival).
Their performances in Finland also took place in 2005, when the Second
Approach played at Kerava Jazz Festival. Other successful festival
appearances in 2005 included Varangerfestivalen in Norway and Varna
Summer Jazz in Bulgaria. A very unusual experience was the trio's
non-amplified acoustic performance at the Organ Hall in Tomsk,
Siberia, during the 2005 Edison Denisov Contemporary Music Festival.
Andrei Razin (born 1963)
Graduate of the Moscow Conservatory, composer, pianist and arranger,
Laureate of the National Festival "Art of the Young", Laureate of the
National Competition of Young Composers, Member of the Russian Union
of Composers, Andrei Razin was destined for the career of an academic
musician, but his creative interests have a much wider range. He
produced music scores for the theatrical performances, modern chamber
instrumental and vocal music, jazz compositions, music for TV shows
and advertisement videos, symphonic music. Razin participated in
Russo-French Festival of Modern Improvisational Music, and numerous
other festivals, performed with Arkady Shilkloper, Mike Ellis,
Vladimir Chekasin, etc.
Andrei Razin was also awarded the ’’Composer of the year’’ (2002)
awards by Russian Jazz Journalists Association. As a leader of Second
Approach trio, Andrei Razin performed in Germany, Poland, Lithuania,
Ukraine, Moldova, Belarus, and Finland.
Tatyana Komova
While
still in the music college in her native Dnepropetrovsk, Ukraine,
destiny brought her to Mikhail Tsygutkin's Gamma ensemble, which sung
vocal versions of instrumental music by Bach, Mozart, and Vivaldi. The
ensemble performed at various jazz festivals, including one in Moscow.
In 1983 Tatiana moved to Moscow and, having entered the Institute of
Culture, started to sing the jazz repertoire. At the same time, she
could be heard on radio and TV performing Bach and Rimsky-Korsakov. In
1986 her talent was demanded by the world-famous Gypsy ensemble, The
Romen trio, which two years later turned into her duet with Georgy
Kvik. Duet Romen was warmly greeted in more than 30 countries,
including France, Germany, Italy, USA, Japan, Israel. Duo's 3 CDs
enjoyed good sales and critical acclaim in Russia. In 1995, she was
awarded the title of Merited Artist of Russia. Komova's connection
with jazz was never broken, though. Now her interests lie in the
sphere of modern blends of jazz, classical, and traditional music of
various ethnic cultures.
Igor Ivanushkin
Igor's
professional career in music performance started while still a student
of the Gnessins' Music College in Moscow. Having then graduated from
the college and then from the Gnessins' Russian Academy of Music, Igor
played with Igor Bril and New Generation ensemble for 5 years (late
1980-s - early 1990s). During the following years, he performed with
the big band and combo led by Aleksandr Sukhikh (tour in Austria), in
Vyacheslav Preobrazhensky Jazz Band (Pori Jazz Festival, Finland),
etc. Within the framework of cultural exchange, he performed in
Dublin, Ireland. Igor also performed with guitarist Konstantin Serov's
group, with trumpet player Vladimir Galaktionov, occasionally backing
the Kramer Trio (three Russian jazz stars - George Garanian, Daniel
Kramer, and Alexey Kuznetsov). Igor is participant and laureate of
numerous international festivals, including ones in Indonesia (1991,
1995), winner of Grand Prix of competition of jazz performers in
Bucharest (Romania), laureate of International competition of jazz
musicians in Brussels (1990), laureate of the 1st All-Russian
competition of young jazz musicians (Rostov-on-Don). Igor is also a
participant of Arkady Shilkloper quartet (2001). In 2002, he performed
at the Odessa Jazz Carnival in Odessa, Ukraine with the great Israeli
saxophonist Roman Kunsman at what happened to be Mr. Kunsman's final
performance shortly before his death.
Sie nennen sich „Second Approach", und schon der Name deutet darauf
hin, dass es sich um ein Projekt handelt, um den „zweiten Ansatz",
dargeboten von drei Musikern, die alle zwar aus Russland, aber aus
unterschiedlichen musikalischen Richtungen kommen. Grandios ist das
Spiel des Andrej Razin, der am Flügel mit seinen präzisen Stakkati
überzeugte. Voller Melancholie erklingt dazu der weiträumige
Vokalgesang von Tatjana Komova, eine Stimme, die mit ihrer
Ausdruckskraft bisweilen an den Gesang von Lisa Gerrard erinnert, der
Front-Frau von „Dead Can Dance". Kraftvoll erklingen die Bassfiguren
von Igor Ivanuschkin. Der nach ihm benannte „Ivanuschkin Boogie" wird
später zu einem groovenden Duo mit Andrei Razin mit Anlehnungen an
amerikanische Boogies wie auch an die Melodien russischer Volksweisen.
Tarek Chafek, Hessische Allgemeine,
5 November, 2001
Jazz of Four Cultures is a new festival that took place in Lodz,
Poland's second largest city, on Dec. 14-16, 2001. The festival
represented all four ethnical elements that formed Lodz's cultural
heritage - Poles, Russians, Germans and Jews… Pianist Andrei Razin and
the Second Approach Project represented Russia. One of Russia's most
uncommon jazz collectives, it was created in 1998 to perform its
leader's music on the sharp edge between jazz and modern classical
music, with rich elements of different ethnic influences, brought to
the Project's sound by singer Tatiana Komova who mastered Gypsy folk
singing tradition.
Cyril Moshkow,
Down Beat,
March 2002
Second Approach discography: |